Tag Archives: badass

The Tony Danza Tapdance Extravaganza – Danza III: A Series of Unfortunate Events [review]

Danza III: A Series of Unfortunate Events is the third full-length release from Tennessee-based The Tony Danza Tapdance Extravaganza, and was released on Black Market Activities on July 6, 2010.
TDTDE Danza III

It’s hard to imagine a band that goes by the name of The Tony Danza Tapdance Extravaganza would make ordinary music. Luckily, TDTDE push the envelope. Straight out of the heart of Tennessee, the band has created a unique signature sound using grindcore grooves, deathcore breakdowns, face grinding guitar riffs and hokey song topics—all of which are in full force on Danza III: A Series of Unfortunate Events.

If you’ve heard any Danza songs from their last album, Danza II: Electric Boogaloo, you will experience a similarly visceral assault with Danza III. In addition to the chaotic writing on the album, the production and soundscape really brings the beast to life. Every single bass drum hit done by Mike Bradley feels like a kick to the chest, every snare shot sounds like a rifle, it’s tough to keep your heart rate low. Combine that with the shrill, angular guitar parts played by Josh Travis and the raucous bellows of Jessie Freeland, and you’ve captured the essence of rage and adrenaline in audio form.

The lyrics on the album are based on unfortunate events (whether political, social, personal or otherwise) and the musical mood of the album appropriately corresponds. TDTDE do not plead their case with Danza III, there is no pussy-footing about. Instead, they impose their will with such vehemence and force even the most iron-willed of people have no choice but to succumb. From song to song, the listener experiences an aural bludgeoning until finally, when the album has come to a close, the listener feels like they have truly been victim of some sort of unfortunate event. The Tony Danza Tapdance Extravaganza have truly transcended any box they could have been placed in, and created what will surely be one of the most chaotic and interesting listening experiences of 2010.

Track picks: “12.21.12” and “A Trail of Tears” (though truthfully, every track on this album is single-worthy)

Overall score: 10 out of 10 devil horns

If you’re looking to be a responsible music consumer and purchase the album, check it out at the Black Market Activities webstore or on iTunes.

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Thirteen bands that don’t suck.

To no surprise, there are metal bands that I don’t know, some of which I probably should know (yeah, I can admit it). I am positive you are the same way. While I cannot take some valued one-on-one time to run down a list of metal essentials (you can actually find these all over the ‘net), I can provide you a list with some pretty rad bands you should check out if you do not know them already. If you have heard a band before, but formed an opinion about them already, please feel free to share your thoughts. Think I should have included another band (or two, or three)? Let me know! Anyway, here’s a list, in no particular order, of thirteen metal bands you should know:

  1. The Black Dahlia Murder
    The Black Dahlia Murder are a perfect example of dudes who just get it. Their music is pure metal, and the guys in the band clearly love to do what they are doing, but still have a very good sense of getting done what needs doing. I first heard these guys when Miasma came out, and was not too impressed. I listened to Unhallowed, which is quite a good album. Nocturnal, which came out in 2007, really sealed the deal for me. From start to finish, Nocturnal is pure, unadulterated, metal. Since I first heard that album it has been in constant circulation in my listening habits. It also doesn’t hurt that their most recent DVD, Majesty, might be the best metal DVD I have ever seen. Yet, some people still discount them, and lump them in with all the -core genres out there. Clean your ears out, folks.
  2. Textures
    I first heard Textures a few weeks back on Last.fm Radio iPhone Application. The first song I heard was “Circular” from their 2006 release Drawing Circles. There are only a small handful of bands out there today that I can say truly do their own thing, and Textures is for sure one of these bands. Combining all things heavy and brutal about metal and combining it with all things catchy in extreme music – flawlessly. Naturally, once I heard one song I like, I felt compelled to check out the rest of their stuff. I don’t really care for their first full-length all that much (Polars in 2003), but Drawing Circles and Silhouettes are both amazing albums suitable for the metal fan of all tastes – especially fans of the more progressive stuff. Wish I would have heard them sooner, Silhouettes would have made my top ten of 2008 for sure.
  3. Himsa
    Originally lumped into the “Metalcore” crowd when the scene was emerging, Himsa really did foot that bill with their first full-length, Ground Breaking Ceremony, this was really their last Metalcore album. From there on out, starting with Courting Tragedy and Disaster, the band was full-on Melodic Death Metal (or something awfully close to it). Better with each record, Himsa was one of the best bands on the scene with their 2007 release Summon In Thunder. Unfortunately, that was their last album, as the band officially broke up in mid 2008. With great solos, and great videos, Himsa really were well-equipped to be one of the best metal band of the last couple decades.
  4. Razormaze
    A new and awesome band from Boston (as you can find out from my review of their album I recently did). Amazing live show, played with Revocation before Relapse signed them. This is what metal is supposed to be: awesome, badass, fun, thrashing, etc. I would tell you more, but I covered most everything there is in my review of The True Speed of Steel. One thing to mention, though: at their last live show, the rhythm guitarist/vocalists’ guitar broke, so they continued the set, playing 1-guitar covers of Metallica’s “Seek and Destroy” and Motörhead’s “Ace of Spades” – BAD ASS. The crowd was absolutely insane. Never experienced anything like it in my life. I still don’t really know if this band has some footing and is gaining popularity or not, but I can’t see them staying unknown for much longer (if they are). With a new album on the way, who knows where they’ll go.
  5. 3 Inches of Blood
    Songs about destroying Orcs and mythical beasts from the year 4055, you might not exactly expect to hear what you do from this band. A mixture of all things heavy and thrashing in metal, vocalist Cam Pipes (yes, Cam fucking Pipes is the vocalist’s name), sounds similar to Rob Halford at times, but does so much more on the mic. Every song is big, loud, furious, and balls-to-the-wall. Their most recent album (but not for long) is called Advance and Vanquish, which it most definitely makes its listener want to do.
  6. Arsis
    I am pretty sure this band fits into the “technical death metal” umbrella, but I feel like that doesn’t at all describe their sound. If I had to name their sound, I would say “blackened technical thrash death” if such a thing exists. If it didn’t before, it sure does now, thanks to Arsis. They are certainly technical (James Malone is an expert in the field of shred), and every song is completely unrelenting. Somehow, amidst all of the shred and brutality, this band manages to be catchy (e.g. the chorus of “Maddening Disdain” from 2004’s A Celebration of Guilt). If you have been checking my blog for a while now, you may recall that this band made the top five for my albums of 2008 list with We Are The Nightmare, which is quite a feat considering most Arsis fans thought it was their weakest effort to date (somewhat true). Any fan of the heavier thrash bands, death metal, or extreme metal in general are almost guaranteed to like this band.
  7. Into Eternity
    The second Canadian band on this list with an absolute monster of a vocalist (Stu Block in this case). Before 2005, Tim Roth was on lead vocal duties. Both dudes absolutely wail. Need proof? Check this outrageous number. For added effect, he executes it FLAWLESSLY live, which is pretty amazing – always makes me love a band more when they are awesome live. Not really a fan of their latest album The Incurable Tragedy but it has a couple great cuts on it. All five of this band’s albums are at least above par, and all uniquely theirs. Definitely a band for fans of melodic death with a hint of Geddy Lee/Rob Halford.
  8. The Tony Danza Tapdance Extravaganza
    All you really need to understand this are this and this. For those not not in a situation bone-crushing videos at the moment (and for the sake of consistency), I’ll fill you in. TDTDE are a bunch of hick kids from backwoods Tennessee. Because of this, they have become obscenely proficient at their instruments. With lots of hilarious jokes at the expense of hicks, as well as a whole lot of musical chaos, this band is clearly head and shoulders above the rest of their “grindcore” and “deathcore” brethren. Danza II: The Electric Boogaloo does two things: brutalizes you with music, and gives you a second to breathe with hilarious skits of a pissed off alcoholic midget who knows too much about pool. If that doesn’t sound like a good time, you have a poor taste in life. New album soon, I can only hope for record levels of depravity and chaos, as well as hick-ery.
  9. The Faceless
    Upon a first listen, The Faceless might seem like your average, friendly neighborhood technical death metal band – and you might be right to an extent. Through the band’s two albums there are a lot of parts that scream “we’re more than boring tech-death!” – which is spot-on. Especially apparent on Akeldama, The Faceless are both machine-like in terms of skill, and visionaries in terms of technical death metal. Writing catchy and evocative riffs and song structures, this band is clearly aware enough to avoid the “SHRED SHRED SHRED BLAST BEAT” mantra of most technical death metal bands today, bringing new hope to a genre being held together by the likes of Necrophagist. Well, eat it, Necrophagist! The new sheriff is in town, and there isn’t room for the both of you! (just kidding, guys, I love you – bring your friends along if you like)
  10. Derelict
    Yet another awesome progressive Canadian band I have already covered. Yawn. BUT NOT REALLY! For those of you out there who like Strapping Young Lad, Derelict will be right up your ally. (I mean, honestly, who does not like Devin Townsend? Losers. That’s who.) Somehow this band is completely unknown in the US, but have some pretty strong hometown followers throughout Canadialand. Boy do those people like their metal (and breed some amazing bands, too!). Now, I’m not all that up on trendiness, but I really think these Canucks are onto something here. I think Derelict should most definitely be the next big act to come out of Canada. Unspoken Words might be in the top ten greatest metal debuts I have ever heard, it is that good. Now if they can only get working Visas to tour the US so people might actually find them.
  11. Cynic
    Being that I was only five years old when Cynic released their first album, Focus, in 1993, I can’t say for sure how popular Cynic were then. I can say that they are less-than-well-known now, which is a horrible. Focus is a great album, and Cynic’s second album, Traced In Air (2008, long story on the delay) is even better. It took my top spot for albums in 2008, and is an album I strongly believe all the praise it gets and more. Progressive metal at its finest, the album’s only flaw is that it runs too short (only about 34 minutes in total). If you are completely against vocoders and auto-tune, you have to give this album a listen. If you love them, you still have to listen. In no way can anyone ever regret hearing Traced In Air it is so mammoth, albeit a very densely-packed mammoth. Every note on the album is planned out and perfect. Every drum strike even, every nuance just enough.
  12. High On Fire
    Ever wonder what Matt Pike has been up to since his stonerific days in Sleep? Well, he joined another stonerific band called High On Fire. This time, he is making music with a bit more gusto. Think of High on Fire as Sleep, but with a need for anger management classes or some sedatives. Lots of cool tribal drumming and signature Matt Pike riffing and vocals, this band disappoints at no point on any of their three albums. With a very vintage sound, Pike is clearly trying to help with the revolution to bring back good ol’ drinkin’ metal and succeeding. The most amazing part about High On Fire is the incredibly thick sound they have for only being a three man outfit. If you were not living under a rock in 2007, you probably at least heard of all the commotion Death is this Communion got, and rightfully so. If you never listened to them then, you now have no excuse.
  13. Protest the Hero
    Yeah, yeah, I know. Another Canadian Prog Metal band. So sue me. Regardless, this band is way more talented than even the band themselves can handle, causing them to create frenetic hook-ridden, shred-laden, everything-metal that leaves everything in its wake. Coming up with a way to describe Protest the Hero is not hard, but nothing I can say would give these boys the credit they deserve. Sadly, I did not find out about these guys until after I made my Top of ’08 list, of these guys would have rivaled Cynic’s Traced in Air for the top spot with Fortress. An album more memorable than any album I have heard that came from the last decade. PERIOD.

Well, that is that, folks. Thirteen bands to get your metal on with. Did you already know them? Let me know your thoughts! Weigh in on the high praise I give to these bands. I encourage “heated debate” – it is the easiest way to find out what you love and hate.

Also, any great bands you could add to the list would be rad, since I’m always on the hunt for new and great metal.

Horns to the heavens and beers to the mouth, kiddies! \m/

[Note: I commend you if you actually made it through this post. That was a lot of shit.]

Heaven and Hell – The Devil You Know [Review]

The Devil You Know is the “debut” album from Heaven and Hell. In all seriousness, though, it’s basically a Black Sabbath album (thankfully under a new moniker). The Album was released on April 28, 2009 on Rhino/Roadrunner Records.


Heaven and Hell The Devil You Know album art

Firstly, I want to comment on the awesomeness that is this artwork. It is everything album art should be: both visually appealing and informational. The art itself is fantastic (and goes well with the name of the album) and it tastefully and legibly gives you all the info you need. Two thumbs up for this one.

As far as the music goes, it is just what one should expect from Dio and the rest of the guys from Black Sabbath. This album is pure old school Heavy/Doom metal. I am still surprised at how good Dio sounds even this far into his sixties. It is pretty obvious that he struggles a bit for the really powerful wailing notes, but he still sounds amazing, and has a ton of attitude and character to his voice. In fact, he almost sounds better for the lower vocals than he ever did. The problem with Dio still being the same old Dio are his ridiculous lyrics. The most hilariously bad example on this album is in the song “Eating the Cannibals”. Let’s just say that the line ‘We’re eating the cannibals” is repeated numerous times throughout the song.

The best part about this album is that I have not heard this many Tony Iommi solos on an album in a long time (perhaps ever). Iommi is at the best I have ever heard him (to clarify: not better than the old stuff, but just as good). This album has more great riffs and solos than any Black Sabbath fan could ask for. Even Geezer Butler gets in on the fun and has some great bass parts throughout the album.

Quite easily the biggest flaw of the album is that it’s predictable. For anyone familiar with Black Sabbath and the Doom Metal genre, you can almost bank on the fact that you know the next part of each song already. It is nice, though, that some bands are staying true to the old heavy metal formula (granted, Sabbath were really the inventors of this).

All in all, I am quite pleased with the album. It’s not as memorable or legendary as most of the Black Sabbath stuff, but it’s still better than a majority of the heavy metal out there today.

Track picks: “Double the Pain” and “The Turn of the Screw”

Overall Score: 8/10

Success Will Write Apocalypse Across The Sky – The Grand Partition and the Abrogation of Idolatry [Review]

The Grand Partition And The Abrogation Of Idolatry is the first full-length release from Floridian Death metal band Success Will Write Apocalypse Across The Sky. The album was released April 3, 2009 on Nuclear Blast records.


Success Will Write Apocalypse Across The Sky SWWAATS The Grand Partition And The Abrogation Of Idolatry album art

When I first heard of this band, I really thought it would be a band along the lines of The Devil Wears Prada, The Tony Danza Tapdance Extravaganza, or one of those other bands with silly names. I was pleasantly surprised to find out that this band is pretty much straight up brutal death metal. IT is still a real pity that this band had to pick such long and ludicrous names for their band and album.

The Grand Partition is a particularly refreshing dose of Death metal in times where most available music of this intensity and power is littered with cliché breakdowns. The most comparable band to these guys might be Skinless. Constant blast beats and machine gun-sounding double bass, along with brutal guitar riffs and gutter vocals abound. At time the album can steer in the direction of deathcore with the amount of tempo switches, time changes, etc. but it always seems appropriate, and never switches into breakdown mode (a refreshing change from most bands these days). As far as death metal goes, this band has got the brutal type under wraps. Beyond the fact that this fits very nicely into the genre, it sounds fantastic. None of the instruments are buried in the mix, muddy, or indecipherable (something that happens a lot to bands like this).

From the second it starts, this album grabs it’s listener from the genitals, and does not let go. The intensity level knob must have been broken, because this album never comes down from eleven. That is perfectly fine, because in a brutal death metal album that is exactly how it should be. The only real downside of this album (and every other recent brutal death metal album) is that there is not a ton of originality. But, as with genres like Power Metal, this can be a big plus if that is what you are looking for. For those looking to hear some good ol’ fashioned brutal death, this is a winner. For those looking for a brutal death album that is a bit more progressive, you have best look elsewhere. Regardless, this is an album that fans of the more extreme heavy metal sub-genes need to blast into their earholes.

Track picks: “10,000 Sermons, One Solution” and “One Must Imagine Sisyphus Happy”

Overall score: 9/10 devil horns

Metallica – Master of Puppets [Retrospective]

Master of Puppets, Metallica. Just thinking of this album is metal. Master of Puppets is arguably the most famous and influential metal albums of the 80’s (and all time). Sure, there was Reign in Blood, Number of the Beast, Operation: Mindcrime and others, but none of those albums were comprised entirely of iconic songs, nor are they as easily heard throughout modern metal music.

Metallica Master of Puppets album cover

When you think of the big four in Thrash metal, each band really has their magnum opus, all of which are legendary in the metal community. For those uneducated in the lore of metal, the big four in thrash are/were: Anthrax, Megadeth, Slayer, and Metallica. Among The Living, Rust in Peace, Reign in Blood, and Master of Puppets are the bands’ best albums (respectively). All undeniably great albums, but none with quite as much clout and following as Master of Puppets. None of the other albums are as complete, either. Longer songs, bigger solos, more memorable hooks and riffs, better production, and just as pissed off.

The best (and perhaps most ironic) part about Master of Puppets is that the three best songs on the album were co-written Cliff Burton. This is unsurprising if you know about Burton’s history, and how he helped James Hetfield and Kirk Hammett how to theorize and harmonize. As Hetfield says, “without Cliff, we wouldn’t be where we are today.” Beyond the songs co-written by Burton, each songs brings a lot of technical prowess and songwriting ability to the album. One of Metallica’s most popular songs, “Welcome Home (Sanitarium)” perhaps is a prime example of this. “Welcome Home (Sanitarium)” has a unique song structure, beautiful (and skillful) solos, and among the greatest metal guitar tones ever used. The thing is, every song has most of these elements, showcasing them in a different manner every time – making for an extremely fresh and interesting listen no matter how many times you do so.

A must-have for every good metal collection, and a must-hear for anyone who wants to like metal, Master of Puppets is nothing short of iconic. It is Thrash metal, and then so much more. Unlike the the other bands in the big four, Metallica (and this album especially) have the ability to appeal to metalheads of every type and age.

Track picks: All of them, fool.

Overall score: 11/10 devil horns

Psyopus – Odd Senses [Review]

Odd Senses is the third full-length release from avant-garde/mathcore band PsyOpus, hailing from Rochester, NY. Odd Senses was released on February 17, 2009 on Metal Blade Records.

Psyopus Odd Senses

Psyopus. Holy hell. This band might be the craziest band I have ever listened to. Odd Senses is a very fitting album title. The lyrical and subject content on this album is very peculiar. Being somewhat familiar with Psyopus before hearing this album, I had a basic grasp of what I could expect but this album somehow still managed to chock me on my first listen through.

From the out of control time signatures and drumming to the incredible guitar licks to the strange and creepy voiceovers, this album can be a bit much at times. Then, without a moment’s notice there is a track like “A Murder To Child” – a nine minute jazz guitar and violin adventure with no lyrics, and is in a major key (something that is against the rest of the album’s sound). After that is an awesomely hilarious parody track in which, for two minutes it is one plain riff and they lyrics “One way ticket to hell” repeated over and over. For the remaining eighteen minutes of the track things just continue to get more off-the-wall and strange.

This might be the most technically impressive album I have heard in a long time, as well. Amidst all the craziness and non-sensical banter, there are some of the most well-written and performed bass, guitar and drum parts I have heard in a while. If I ever saw Chris Arp (the writer for everything on the album), aka “Arpmandude”, I would bow to him.

Odd Senses is really an album that is brilliant in the way that Primus is brilliant. Incredibly technical playing, lots of strange themes, and you never can be too sure what you’re getting into. Odd Senses is absolutely a must-hear. It really could scar you for life, and you will be sure to end the listen with a fried brain and a lot of confusion. The more listens you give this album the better it gets.

Track picks: “A Murder to Child” and “X and Y”

Overall score: 9/10 devil horns

Brutal Truth – Evolution Through Revolution [Review]

Evolution Through Revolution is the sixth album from legendary Grincore band Brutal Truth. It’s release date is April 14, 2009 on Relapse Records.

Brutal Truth Evolution Through Revolution

It takes something really special for a grindcore album to be a lot better than the other albums in the genre. Bands like The Tony Tapdance Extravaganza have figured it out with their last release, Danza II: The Electric Boogaloo. Brutal Truth, however, haven’t quite got the “it” factor on this record. It’s a very solid and pleasing grindcore record, and living up to their name, it is truthfully brutal.

For a grindcore album, Evolution Through Revolution is about as long as they come, clocking in at just over forty-one minutes. There is a ton of material on the album, but nothing that is really too interesting or different. This is both good and bad. For those who are simply looking for an all out brutal face-tearing riff and breakdown festival, this album is just that. There are no breaks, no breathers, almost nothing that steps out of the very little grindcore box. For such a long grindcore album, there should be a little more going on with it.

In truth, this really is one of the most brutal records I have ever heard, but with that being said, it gets boring fast. It sounds very chaotic, but it is pretty systematic from song to song (as much as a grindcore album can be, anyway). In the end, I enjoyed the album, and recommend it to fans of the genre, but would not really recommend it to anyone else. If you’re looking to check out Brutal Truth, one of their first two records would be a much better idea. Extreme Conditions Demand Extreme Responses is their first and best album, but their second album, Need to Control finishes a close second.

Track picks: “Detached”, “Semi-Automatic Carnation” and “Sugardaddy”

Overall Score: 7/10 devil horns