Tag Archives: gojira

Favorite Metal(ish) Albums Of 2012

‘Tis the season for year-end lists of what everyone and their dog thinks are the best albums of the past year, as well as the incredibly pretentious and elitist mindsets that come with them. I’m not going to pretend I know what’s best for anyone, but I do know that there are definitely albums I enjoyed much more than others, despite some critical flaws in some of them. My tastes can be a bit whacky at times, but I’m pretty sure that there are at least a few people out there who will be curious to know what my favorites are, so I will be sharing them.

But not here.

Instead, I’ll be doing a series of posts over at Under The Gun Review that will double as a countdown to when we’re free of the holiday hell that is the month of December.

Because they’re happening one at a time, I’ll be posting the list as it goes live day by day over at UTG in list form here.

#25: RIITTIIR by Enslaved (read it)
#24: Results by Murder Construct (read it)
#23: Awakened by As I Lay Dying (read it)
#22: Ex Lives by Every Time I Die (read it)
#21: Failed States by Propagandhi (read it)
#20: Eremita by Ihsahn (read it)
#19: Dead End Kings by Katatonia (read it)
#18: Les Voyages De L’Âme by Alcest (read it)
#17: Autotheism by The Faceless (read it)
#16: All Hail The Void by Enabler (read it)
#15: Legend by Witchcraft (read it)
#14: Death Is The Only Mortal by The Acacia Strain (read it)
#13: No Matter Where It Ends by Black Sheep Wall (read it)
#12: Book Burner by Pig Destroyer (read it)
#11: Parallax II: Future Sequence by Between The Buried And Me (read it)
#10: Monolith Of Inhumanity by Cattle Decapitation (read it)
#9: Incongruous by Beneath The Massacre (read it)
#8: All We Love We Leave Behind by Converge (read it)
#7: CVI by Royal Thunder (read it)
#6: Danza IIII: The Alpha – The Omega by The Tony Danza Tapdance Extravaganza (read it)
#5: Hasta La Muerte by Xibalba (read it)
#4: A Flash Flood Of Color by Enter Shikari (read it)
#3: Yellow & Green by Baroness (read it)
#2: Koloss by Meshuggah (read it)
#1: L’Enfant Sauvage by Gojira (read it)

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The Heaviest Matter of the Universe Awards 2008

So, I thought it might be cool if I came up with a bunch of superlatives for metal albums in ’08 to showcase more than just my top ten. So, for those who don’t know what a superlative is, you most likely had nothing to do with a high school yearbook. They’re like awards that you give to people in your class, like “class clown” or “best smile”, etc. These will be music/band related ones. I hope you enjoy!

Bests:
Vocals: Iconoclast – Heaven Shall Burn
Drumming: Planetary Duality – The Faceless
Shredding: Awaken the Dreamers – All Shall Perish
Newcomer: Relentless – Brother Von Doom
Production: Awaken the Dreamers – All Shall Perish
Lyrics: The Way of All Flesh – Gojira
Comeback: Traced in Air – Cynic
Style Change: Scream Aim Fire – Bullet for my Valentine
Name (album): Lost in the Sound of Separation – Underoath
Name (band): This is Exile – Whitechapel
Album Art: Twilight of the Thunder God – Amon Amarth
Album opener: “My Will Be Done” from The March – Unearth

Worsts
Production: Death Magnetic – Metallica
Style change: Midheaven – The Human Abstract
Lyrics: Scream Aim Fire – Bullet for my Valentine
Name (album): Love and Other Disasters – Sonic Syndicate
Name (band): Scream Aim Fire – Bullet for my Valentine
Album Art: The Incurable Tragedy – Into Eternity

Mosts
Overachieving (bad): Midheaven – The Human Abstract
Overachieving (good): We Are The Nightmare – Arsis
Controversial: All Hope is Gone – Slipknot
Brutal: This is Exile – Whitechapel
Shredding: Zero Order Phase – Jeff Loomis
Overrated: The Incurable Tragedy – Into Eternity
Disappointing: Overcome – All That Remains
Erratic: We Are The Nightmare – Arsis
Technical: obZen – Meshuggah
Surprising (bad): Overcome – All That Remains
Surprising (good): Dreamer – Haste the Day
Progressive: Traced in Air – Cyinc
Complete: Holographic Universe – Scar Symmetry

Leasts
Surprising (bad): A Sense of Purpose – In Flames
Surprising (good): Motörizer – Motörhead
Technical: Torn – Evergrey
Shredding: This is Exile – Whitechapel
Controversial: Watershed – Opeth
Progressive: Motörizer – Motörhead
Complete: Torn – Evergrey

Miscellaneous
Album of the year: Traced in Air – Cyinc
Single of the year: “Vacuity” from The Way of All Flesh – Gojira
Riff of the year: at about 1:10 of “Servants to the Night” from We Are the Nightmare – Arsis
Guitar solo of the year: at about 1:23 of “Awaken the Dreamers” from Awaken the Dreamers – All Shall Perish
Interlude of the year: “Memories of a Glass Sanctuary” from Awaken the Dreamers – All Shall Perish
Fastest: Ultra Beatdown – DragonForce
Biggest wannabe: Shogun – Trivium

So, yeah, that’s what I have come up with. Let me know how you feel! Got some you think I should add or change? I’d love to hear the criticism.

Gojira – The Way of All Flesh [Review]

The Way of All Flesh is the fourth full-length album from French band Gojira. Set to release October 13th in Europe, and October 14 in the United States. This is their second release on world-wide label Prosthetic Records, the third with French label Listenable.

Gojira the Way of All Flesh

First of all, I just want to say that this is a band that does not get the recognition it deserves. I really hope that this album will serve to change that.

The Way of All Flesh seems to have picked up right where From Mars to Sirius left off, almost literally (specifically note the guitar in the opening part of “Oroborus” and the end of “Global Warming”. This is most definitely a good thing, because From Mars to Sirius was one serious progressive death metal album. From their first album on, this band has gotten noticeably better. With From Mars to Sirius being one of my favorite albums as of late, I was very excited to put this one on.

In terms of the album’s structure, there are no problems. I would not say it is a strength either. Interestingly enough, the album’s first single does not appear in the first 3/4 of the album. It is in fact the third to last track, which is something I have not personally encountered very often. The single is an interesting choice, in my mind, however. It is very much unlike most of their music, whereas a lot of their other stuff was very quick-paced, and involved a lot of speed, half of “Vacuity” is slow, and pulsing – then moves to some familiar stuff – then changes to unfamiliar territory once again. A great track all in all, but a surprising choice and placement on the album.

The two main strengths of this album are it’s consistency and strength of the individual songs. Excluding “The Way of All Flesh”, “A Sight to Behold”, and “The Silver Cord” any of the tracks on this album would have made a solid single. The non-single-worthy tracks, however, are almost essential to the album itself. Each provides a fair change of pace, and a break of the monotony that Gojira can become.

The fact that each song on the album is quite distinct is what separates it from From Mars to Sirius, which could really be the only real difference (aside from the obvious fact that the songs are not exactly the same). On From Mars to Sirius all of the songs sort of blended together after a few listens, whereas this is not the case on The Way of All Flesh.

On a more technical note, the production quality of this album is absolutely perfect. The mixes range quite differently at times, sometimes being guitar heavy such as the track “The Art of Dying” but are also very balance at times, such as the track “Esoteric Surgery”. The one thing I noticed that I really like, though some others may dislike, is the volume of the snare drum and toms. I liked the fact that they were fairly loud in the mix for almost the entire album. They have such a bright, crisp sound that adds a lot to the songs that have such a dark sound. The best example I noticed of this is in the track “Yama’s Messengers” where each snare hit is very clear and obvious in the mix, bringing attention from the constant grind of the guitar and bass drum parts.

With a fresh batch of brutal songs, Gojira has put together a very strong fourth release, and in my opinion their best to date (inches out From Mars to Sirius by a nose). While staying in-character and using slow triplets and grinding guitar sections, they have added a few small dimensions to the mix that only help make the listener appreciate the things that make up what Gojira are known for. Where the band goes from here in unknown to me, but I can almost say for certain that it will be good.

Overall score: 9/10 devil horns