Category Archives: Grindcore

Favorite Metal(ish) Albums Of 2012

‘Tis the season for year-end lists of what everyone and their dog thinks are the best albums of the past year, as well as the incredibly pretentious and elitist mindsets that come with them. I’m not going to pretend I know what’s best for anyone, but I do know that there are definitely albums I enjoyed much more than others, despite some critical flaws in some of them. My tastes can be a bit whacky at times, but I’m pretty sure that there are at least a few people out there who will be curious to know what my favorites are, so I will be sharing them.

But not here.

Instead, I’ll be doing a series of posts over at Under The Gun Review that will double as a countdown to when we’re free of the holiday hell that is the month of December.

Because they’re happening one at a time, I’ll be posting the list as it goes live day by day over at UTG in list form here.

#25: RIITTIIR by Enslaved (read it)
#24: Results by Murder Construct (read it)
#23: Awakened by As I Lay Dying (read it)
#22: Ex Lives by Every Time I Die (read it)
#21: Failed States by Propagandhi (read it)
#20: Eremita by Ihsahn (read it)
#19: Dead End Kings by Katatonia (read it)
#18: Les Voyages De L’Âme by Alcest (read it)
#17: Autotheism by The Faceless (read it)
#16: All Hail The Void by Enabler (read it)
#15: Legend by Witchcraft (read it)
#14: Death Is The Only Mortal by The Acacia Strain (read it)
#13: No Matter Where It Ends by Black Sheep Wall (read it)
#12: Book Burner by Pig Destroyer (read it)
#11: Parallax II: Future Sequence by Between The Buried And Me (read it)
#10: Monolith Of Inhumanity by Cattle Decapitation (read it)
#9: Incongruous by Beneath The Massacre (read it)
#8: All We Love We Leave Behind by Converge (read it)
#7: CVI by Royal Thunder (read it)
#6: Danza IIII: The Alpha – The Omega by The Tony Danza Tapdance Extravaganza (read it)
#5: Hasta La Muerte by Xibalba (read it)
#4: A Flash Flood Of Color by Enter Shikari (read it)
#3: Yellow & Green by Baroness (read it)
#2: Koloss by Meshuggah (read it)
#1: L’Enfant Sauvage by Gojira (read it)

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The Summoned – If Only Minds Could Paint Pictures [Review]

If Only Minds Could Paint Pictures is the debut full-length from Massachusetts-based extreme metallers The Summoned, and is currently unreleased (perhaps more news to come on that in the future).

The Summoned belong to the group of bands that play a style of music that borders itself along death metal and grindcore (but isn’t really deathcore). Clocking in at only 33 minutes, it’s a bit of a short album, but very dense in musical content. There are lots of really nice guitar licks, pace changes, etc. combined with Steve’s excessively brutal vocals. Deciding to not go the route of bands like Suffocation and Skinless, the vocals are not usually at the lowest of lows. Instead, the vocals mostly sound more like mid-range screams than growls–and they pack a ton of fury.

Easily the best part about If Only Minds Could Paint Pictures is the consistently high level of guitar work. While they aren’t constantly noodling, the riffs, licks and solos are always interesting. The somewhat atonal licks in “Anatomy Of A Bar Fight” show just how strong of a grasp this band has on quality guitar parts that stray from the path just a bit. You even get to hear that they have a good ear for melody and tasteful guitar playing on the track “The Flood” with some solid guitar solos dropped right in the middle of that track.

Most of the album is straight to sixth gear, outside of the very somber guitar interlude track “Space Was…” which only lasts for a minute and is followed by what could be the gnarliest track on the album “Space Is…” which is filled with mid-tempo blasts, pinch harmonics, and harmonized guitar licks.

From start to finish you get the feeling that If Only Minds Could Paint Pictures is totally unrelenting. At every point where it feels like there’s a down moment it lulls you into a false sense of security until you get fully-harmonized riffs forced with fury down your throat. Backed up by an extremely tight rhythm section, the very few breakdowns on this album are neither boring or stereotypical, adding another dimension to an already outside of the box style.

As a debut record, there’s not a whole lot you can ask from a band who went the DIY route, except maybe for more of it. Certainly a very interesting listen, if there’s one thing you won’t be while listening to If Only Minds Could Paint Pictures it’s bored. It’s hard to say where exactly the band might go from this release, but more of the same would absolutely be welcomed.

Song choices: “The Flood” and “Anatomy of a Bar Fight”

Overall score: 8/10 devil horns

Brutal Truth – Evolution Through Revolution [Review]

Evolution Through Revolution is the sixth album from legendary Grincore band Brutal Truth. It’s release date is April 14, 2009 on Relapse Records.

Brutal Truth Evolution Through Revolution

It takes something really special for a grindcore album to be a lot better than the other albums in the genre. Bands like The Tony Tapdance Extravaganza have figured it out with their last release, Danza II: The Electric Boogaloo. Brutal Truth, however, haven’t quite got the “it” factor on this record. It’s a very solid and pleasing grindcore record, and living up to their name, it is truthfully brutal.

For a grindcore album, Evolution Through Revolution is about as long as they come, clocking in at just over forty-one minutes. There is a ton of material on the album, but nothing that is really too interesting or different. This is both good and bad. For those who are simply looking for an all out brutal face-tearing riff and breakdown festival, this album is just that. There are no breaks, no breathers, almost nothing that steps out of the very little grindcore box. For such a long grindcore album, there should be a little more going on with it.

In truth, this really is one of the most brutal records I have ever heard, but with that being said, it gets boring fast. It sounds very chaotic, but it is pretty systematic from song to song (as much as a grindcore album can be, anyway). In the end, I enjoyed the album, and recommend it to fans of the genre, but would not really recommend it to anyone else. If you’re looking to check out Brutal Truth, one of their first two records would be a much better idea. Extreme Conditions Demand Extreme Responses is their first and best album, but their second album, Need to Control finishes a close second.

Track picks: “Detached”, “Semi-Automatic Carnation” and “Sugardaddy”

Overall Score: 7/10 devil horns