Tag Archives: progressive metal

Favorite Metal(ish) Albums Of 2012

‘Tis the season for year-end lists of what everyone and their dog thinks are the best albums of the past year, as well as the incredibly pretentious and elitist mindsets that come with them. I’m not going to pretend I know what’s best for anyone, but I do know that there are definitely albums I enjoyed much more than others, despite some critical flaws in some of them. My tastes can be a bit whacky at times, but I’m pretty sure that there are at least a few people out there who will be curious to know what my favorites are, so I will be sharing them.

But not here.

Instead, I’ll be doing a series of posts over at Under The Gun Review that will double as a countdown to when we’re free of the holiday hell that is the month of December.

Because they’re happening one at a time, I’ll be posting the list as it goes live day by day over at UTG in list form here.

#25: RIITTIIR by Enslaved (read it)
#24: Results by Murder Construct (read it)
#23: Awakened by As I Lay Dying (read it)
#22: Ex Lives by Every Time I Die (read it)
#21: Failed States by Propagandhi (read it)
#20: Eremita by Ihsahn (read it)
#19: Dead End Kings by Katatonia (read it)
#18: Les Voyages De L’Âme by Alcest (read it)
#17: Autotheism by The Faceless (read it)
#16: All Hail The Void by Enabler (read it)
#15: Legend by Witchcraft (read it)
#14: Death Is The Only Mortal by The Acacia Strain (read it)
#13: No Matter Where It Ends by Black Sheep Wall (read it)
#12: Book Burner by Pig Destroyer (read it)
#11: Parallax II: Future Sequence by Between The Buried And Me (read it)
#10: Monolith Of Inhumanity by Cattle Decapitation (read it)
#9: Incongruous by Beneath The Massacre (read it)
#8: All We Love We Leave Behind by Converge (read it)
#7: CVI by Royal Thunder (read it)
#6: Danza IIII: The Alpha – The Omega by The Tony Danza Tapdance Extravaganza (read it)
#5: Hasta La Muerte by Xibalba (read it)
#4: A Flash Flood Of Color by Enter Shikari (read it)
#3: Yellow & Green by Baroness (read it)
#2: Koloss by Meshuggah (read it)
#1: L’Enfant Sauvage by Gojira (read it)

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Queensrÿche – American Soldier [Review]

American Soldier is the tenth (yes, tenth) full-length release from the US prog metal band Queensrÿche. The album’s set release date is March 31, 2009 on Rhino Entertainment.

This album might be the most bland and boring album I have ever reviewed. This is the first album in recent memory that it took me multiple tries to simply listen through it. It simply did not draw my attention. Before I had even heard the album, though, this is aout what I expected. After the letdown that was Operation: Mindcrime II, and the fact that this album is a concept album themed about American soldiers (go figure), I was ready for a thrill ride of suck. To my surprise, however, there was no suck to be had, nor is there any good to be had. There’s simply nothing.

Queensrÿche seem to have wandered far off their unbeaten path from the days of the original Operation: Mindcrime and found their way on to the highway that is modern-day cock rock (with added wailing vocals). Queensrÿche, in my mind, was a purely progressive metal band. Over the years, they have not really lived up to this, it is even more clear now. The most progressive element on this album is the use of a saxophone for about four seconds to round out one of the solos on the album.

It’s always hard to come up with anything to really write about an album with no real notoriety. I can deal with an album that doesn’t being anything new to the table, but when you use old and tired material with no passion or excitement, it makes for an extremely boring listen. Almost unbearable at times. I’m sure there are people out there who will love this, people who will hate it, but I can find any basis for either emotion.

Track picks: “Man Down!” and “Hundred Mile Stare”

Overall Score: 5/10 devil horns