Monthly Archives: October 2010

Exploding In Sound

There are two types of people who are in the music industry: people who do it for themselves, and people who do it for the love of music. Dan Goldin, creator of Exploding In Sound, is in the latter category. I wish I could say I was exposed to his “brainchild” in a better manner, but I first discovered his website when I noticed it via Twitter, posts that mentioned “Heaviest Matter” and noticed he was spreading the love about Irepress by reposting my post about them.

Initially, I was a bit annoyed – I thought, “How dare he?” but soon realized that this was completely backwards, and completely conceited of me. After all, I really write this blog for the love of music, and other than potentially getting a job – I have no ulterior motives. I initially asked him to not post the article in its entirety, but I would gladly have settled for it simply being attributed to my name (I just want to be recognized for my work). Quickly he responded to my request, and now the article appears only partially, then links here.

Still, I can’t help but feel I handled this incorrectly.

In any case, what he and his team does over at Exploding In Sound is pure, and for the love of music, and I can’t help but feel wrong for impeding on him spreading the love for great music (and the people who are trying to put that music on the map). If you, like me, want a source for getting the scoop on great bands who love what they do – this is certainly one of the best destinations I’ve found. I encourage you all to give his site a look.

Consider this an apology for the error in my ways, I’ve shown exactly what is wrong with “journalists” these days in the blogging community. Next time you’re about to get upset over something so potentially trivial, think to yourself, “What exactly am I doing this for?” – it’s likely not worth ruining a potentially helpful relationship, or preventing the word getting out about a band you love.

Mushroomhead – Beautiful Stories for Ugly Children [Review]

Beautiful Stories for Ugly Children is the seventh studio album from Ohioan nu metal troop Mushroomhead. Released on the behemoth Megaforce Records on September 28, 2010.

mushroomhead beautiful stories for ugly children

Back when I was a wee lad in middle school, I was what you might call a “fan” of Nu Metal, which included bands like Mushroomhead, Korn, etc. As my tastes grew from Nu Metal, Mushroomhead was one of the few bands I would still put on from time to time. “Solitaire Unraveling” remains one of the coolest songs to come out of the nu metal era. Other songs, such as “Bwomp,” also had their own unique charm (though, may have featured some cliché rap vocals courtesy of J Mann). Come 2010, and Mushroomhead seem to have misplaced their “creative” and “interesting” genes, and have come out with a record that’s almost entirely devoid of life.

There are glimpses of things that made Mushroomhead an interesting band littered about Beautiful Stories for Ugly Children, but seemingly none of these ideas are explored to their full extent. Instead, these great ideas are pushed aside for the increasingly stale chug riffs and monotone shouts from Jeffrey Nothing. The swooning and creepy cadence in Jeffrey Nothing’s voice is all but gone. He certainly hits his notes, has decent power behind his voice, and has varied his vocal style a bit – all good things, but they don’t quite make up for the missing element from his older style.

The second element that’s really missing on Beautiful Stories for Ugly Children are guitar riffs and grooves. Even up through Savior Sorrow there was some solid guitar work from the Mushroomhead camp, at the very least, guitar work that could hold your attention. There’s a solo in “Your Demise” but it feels a bit forced and out of place. Right after that you get “Darker Days” which provides the first real look at a riff on the album – and it’s not a particularly promising one.

All in all, this album feels and sounds like a shell of what the band once was. While I often welcome evolution as a band, it’s hard to approve of it when it removes the most interesting parts of a band’s style. Die hard fans may still like this record, but for anyone with less than an obsessive love for the band should look elsewhere. It would be hard to believe that this album was worked on for the entire four years since Savior Sorrow was released.

Track picks: “Burn Bridges” and “Harvest the Garden”

Overall score: 3/10 guys in masks