Category Archives: Black Metal

Favorite Metal(ish) Albums Of 2012

‘Tis the season for year-end lists of what everyone and their dog thinks are the best albums of the past year, as well as the incredibly pretentious and elitist mindsets that come with them. I’m not going to pretend I know what’s best for anyone, but I do know that there are definitely albums I enjoyed much more than others, despite some critical flaws in some of them. My tastes can be a bit whacky at times, but I’m pretty sure that there are at least a few people out there who will be curious to know what my favorites are, so I will be sharing them.

But not here.

Instead, I’ll be doing a series of posts over at Under The Gun Review that will double as a countdown to when we’re free of the holiday hell that is the month of December.

Because they’re happening one at a time, I’ll be posting the list as it goes live day by day over at UTG in list form here.

#25: RIITTIIR by Enslaved (read it)
#24: Results by Murder Construct (read it)
#23: Awakened by As I Lay Dying (read it)
#22: Ex Lives by Every Time I Die (read it)
#21: Failed States by Propagandhi (read it)
#20: Eremita by Ihsahn (read it)
#19: Dead End Kings by Katatonia (read it)
#18: Les Voyages De L’Âme by Alcest (read it)
#17: Autotheism by The Faceless (read it)
#16: All Hail The Void by Enabler (read it)
#15: Legend by Witchcraft (read it)
#14: Death Is The Only Mortal by The Acacia Strain (read it)
#13: No Matter Where It Ends by Black Sheep Wall (read it)
#12: Book Burner by Pig Destroyer (read it)
#11: Parallax II: Future Sequence by Between The Buried And Me (read it)
#10: Monolith Of Inhumanity by Cattle Decapitation (read it)
#9: Incongruous by Beneath The Massacre (read it)
#8: All We Love We Leave Behind by Converge (read it)
#7: CVI by Royal Thunder (read it)
#6: Danza IIII: The Alpha – The Omega by The Tony Danza Tapdance Extravaganza (read it)
#5: Hasta La Muerte by Xibalba (read it)
#4: A Flash Flood Of Color by Enter Shikari (read it)
#3: Yellow & Green by Baroness (read it)
#2: Koloss by Meshuggah (read it)
#1: L’Enfant Sauvage by Gojira (read it)

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The Weekend Rant, Vol. 2: Being “trve” and “kvlt”

One seemingly ongoing and inexhaustible topic of arguments in the metal world is how the only “trve” black metal is the original black metal. I often notice that this argument is often used to castigate Dimmu Borgir and Abigail Williams fans (among others). I think old school and “kvlt” black metal is totally different from newer bands making it. Totally different circumstances and mindsets. I think both, musically, have equal merit but you cannot match the cultural implications of the earlier black metal bands in the early 90s in Norway, there’s simply no way. It is an inescapable truth that bands such as Darkthrone, Mayhem, Burzum, etc. are the bands that are often considered the pinnacle of black metal music, thus being considered the most “kvlt” or “trve” of all the black metal bands.

I don’t buy that whole “new bands can’t be trve” malarkey. It’s not like they chose to be starting their musical careers two decades after the movement they associate best with occurred. As long as they truly believe in what they’re doing, that’s as true as it gets. Sure, they might not come from a place and feel religiously oppressed by the people that wiped away their cultural heritage, but it doesn’t make their circumstance any less legitimate or meaningful.

There is, however, a scale of how traditional a band’s music is to the originators of black metal. Dimmu Borgir is the perfect band to illustrate this. In their early years, they were about as true to form to symphonic black metal as you could possibly be, their sound very much in line with some of Emperor‘s best albums. In recent years, since Death Cult Armageddon they have strayed from the traditional path to venture into more grand and symphonic arrangements and songs, forgoing some of the low-fidelity and ripping nature of their black metal predecessors. At that point, the black metal purists cried wolf. Apparently musical progression and deviance is taboo in the black metal world. I could draw a parallel to this mindset and that of the Christian mindsets that black metal once fought, but anyone who knows anything about black metal already can see that at this point.

What I find especially mind-boggling is that these stances are often taken by people who have absolutely nothing to do with the culture in which black metal originated, so their feelings of outsiders being unwelcome is absolutely unfounded. By stating that newer bands who aren’t from that specific era in can’t be considered “trve,” what does that mean for all of the black metal fans who are also not from that circumstance? Are they also not “trve?” It all seems just a small amount ridiculous to me. As far I can tell, the “trve” tag has come to just be a pedestal to promote elitism in metal, something I feel there needs to be a lot less of these days. It’s the only thing keeping metal from being a wildly successful genre of music.

Just think for a second, how these mindsets are stifling the metal world that is currently burgeoning with creativity. It truly breaks my heart. I hope we can all at least agree that Emperor is a great band. How about we just enjoy the video for “Empty” by Emperor?