Tag Archives: converge

Favorite Metal(ish) Albums Of 2012

‘Tis the season for year-end lists of what everyone and their dog thinks are the best albums of the past year, as well as the incredibly pretentious and elitist mindsets that come with them. I’m not going to pretend I know what’s best for anyone, but I do know that there are definitely albums I enjoyed much more than others, despite some critical flaws in some of them. My tastes can be a bit whacky at times, but I’m pretty sure that there are at least a few people out there who will be curious to know what my favorites are, so I will be sharing them.

But not here.

Instead, I’ll be doing a series of posts over at Under The Gun Review that will double as a countdown to when we’re free of the holiday hell that is the month of December.

Because they’re happening one at a time, I’ll be posting the list as it goes live day by day over at UTG in list form here.

#25: RIITTIIR by Enslaved (read it)
#24: Results by Murder Construct (read it)
#23: Awakened by As I Lay Dying (read it)
#22: Ex Lives by Every Time I Die (read it)
#21: Failed States by Propagandhi (read it)
#20: Eremita by Ihsahn (read it)
#19: Dead End Kings by Katatonia (read it)
#18: Les Voyages De L’Âme by Alcest (read it)
#17: Autotheism by The Faceless (read it)
#16: All Hail The Void by Enabler (read it)
#15: Legend by Witchcraft (read it)
#14: Death Is The Only Mortal by The Acacia Strain (read it)
#13: No Matter Where It Ends by Black Sheep Wall (read it)
#12: Book Burner by Pig Destroyer (read it)
#11: Parallax II: Future Sequence by Between The Buried And Me (read it)
#10: Monolith Of Inhumanity by Cattle Decapitation (read it)
#9: Incongruous by Beneath The Massacre (read it)
#8: All We Love We Leave Behind by Converge (read it)
#7: CVI by Royal Thunder (read it)
#6: Danza IIII: The Alpha – The Omega by The Tony Danza Tapdance Extravaganza (read it)
#5: Hasta La Muerte by Xibalba (read it)
#4: A Flash Flood Of Color by Enter Shikari (read it)
#3: Yellow & Green by Baroness (read it)
#2: Koloss by Meshuggah (read it)
#1: L’Enfant Sauvage by Gojira (read it)

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Converge – Axe To Fall [Review]

Everyone, go home, Converge is officially this year’s winner. Few albums have floored me so immediately, and from start to finish, as Axe To Fall has. From the opening bass line to the serene ending songs, this album teeters on the edge of being completely overwhelming, but never crosses that fine line.

converge axe to fall cover

The first track of the album, “Dark Horse” couldn’t do a better job at setting the pace for the entire album. It features grooves, riffage, and everything Converge does perfectly on this record. If somehow, at the 1:57 mark of “Dark Horse” you are not kicking holes in walls, smashing your keyboard, or at the very least metal thrashing mad – you either aren’t human or you hate heavy music. From there on out, the album only further careens into the dark depths of chaos, beating your soul into submission with furious riffage and raucous rhythm changes. It’s amazingly cliché to say such things, but this album really will strike terror into your soul with such painful discord in each and every note.

Beyond the furious riffage and bludgeoning rhythms, the songs are written with very diverse structures, and flow amazingly well. They’re connected to the point where the line between songs is blurred, but not so much that it is unclear when you’ve hit a new song. It’s not foot-to-the-throat the entire time, either (something I feel limits many bands and albums in terms of actual songwriting). On my first listen through I was extremely shocked by the last two songs on the album, “Cruel Bloom” and “Wretched World”, and how they’re considerably less ballistic than the other eleven tracks on the album. Though a bit suspicious, once the album subsided to silence it all made sense. My ears were tingling, my blood was pumping, and I was completely and utterly speechless. I can say without doubt that I have never heard an album as emotional as this album. I don’t mean that in the “our girlfriend of two weeks broke up with us now we wanna cry” way, either. This album from top to bottom is filled with rage, pain, joy, fear, pride, and most of all passion. This truly is music you can feel.

Sonically, this album is near perfect. Nothing is too much or too little, and it is meant to be played way too loud. You can pick out each and every single instrument at any given moment, and can hear each and every nuance that is contained in the album (and boy are there a lot of them). To be completely truthful, I was never quite sold on Converge before Axe To Fall. I enjoyed Jane Doe and No Heroes, but this album is truly in its own league. I’m unsure if people who loved the old Converge stuff the best will like it, but Axe To Fall certainly cannot disappoint and will most definitely score the band troves of new fans.

Song picks: “Dark Horse” and “Reap What You Sow”

Overall Score: 10/10 devil horns