Tag Archives: brutal

Brutal Truth – Evolution Through Revolution [Review]

Evolution Through Revolution is the sixth album from legendary Grincore band Brutal Truth. It’s release date is April 14, 2009 on Relapse Records.

Brutal Truth Evolution Through Revolution

It takes something really special for a grindcore album to be a lot better than the other albums in the genre. Bands like The Tony Tapdance Extravaganza have figured it out with their last release, Danza II: The Electric Boogaloo. Brutal Truth, however, haven’t quite got the “it” factor on this record. It’s a very solid and pleasing grindcore record, and living up to their name, it is truthfully brutal.

For a grindcore album, Evolution Through Revolution is about as long as they come, clocking in at just over forty-one minutes. There is a ton of material on the album, but nothing that is really too interesting or different. This is both good and bad. For those who are simply looking for an all out brutal face-tearing riff and breakdown festival, this album is just that. There are no breaks, no breathers, almost nothing that steps out of the very little grindcore box. For such a long grindcore album, there should be a little more going on with it.

In truth, this really is one of the most brutal records I have ever heard, but with that being said, it gets boring fast. It sounds very chaotic, but it is pretty systematic from song to song (as much as a grindcore album can be, anyway). In the end, I enjoyed the album, and recommend it to fans of the genre, but would not really recommend it to anyone else. If you’re looking to check out Brutal Truth, one of their first two records would be a much better idea. Extreme Conditions Demand Extreme Responses is their first and best album, but their second album, Need to Control finishes a close second.

Track picks: “Detached”, “Semi-Automatic Carnation” and “Sugardaddy”

Overall Score: 7/10 devil horns

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The Heaviest Matter of the Universe Awards 2008

So, I thought it might be cool if I came up with a bunch of superlatives for metal albums in ’08 to showcase more than just my top ten. So, for those who don’t know what a superlative is, you most likely had nothing to do with a high school yearbook. They’re like awards that you give to people in your class, like “class clown” or “best smile”, etc. These will be music/band related ones. I hope you enjoy!

Bests:
Vocals: Iconoclast – Heaven Shall Burn
Drumming: Planetary Duality – The Faceless
Shredding: Awaken the Dreamers – All Shall Perish
Newcomer: Relentless – Brother Von Doom
Production: Awaken the Dreamers – All Shall Perish
Lyrics: The Way of All Flesh – Gojira
Comeback: Traced in Air – Cynic
Style Change: Scream Aim Fire – Bullet for my Valentine
Name (album): Lost in the Sound of Separation – Underoath
Name (band): This is Exile – Whitechapel
Album Art: Twilight of the Thunder God – Amon Amarth
Album opener: “My Will Be Done” from The March – Unearth

Worsts
Production: Death Magnetic – Metallica
Style change: Midheaven – The Human Abstract
Lyrics: Scream Aim Fire – Bullet for my Valentine
Name (album): Love and Other Disasters – Sonic Syndicate
Name (band): Scream Aim Fire – Bullet for my Valentine
Album Art: The Incurable Tragedy – Into Eternity

Mosts
Overachieving (bad): Midheaven – The Human Abstract
Overachieving (good): We Are The Nightmare – Arsis
Controversial: All Hope is Gone – Slipknot
Brutal: This is Exile – Whitechapel
Shredding: Zero Order Phase – Jeff Loomis
Overrated: The Incurable Tragedy – Into Eternity
Disappointing: Overcome – All That Remains
Erratic: We Are The Nightmare – Arsis
Technical: obZen – Meshuggah
Surprising (bad): Overcome – All That Remains
Surprising (good): Dreamer – Haste the Day
Progressive: Traced in Air – Cyinc
Complete: Holographic Universe – Scar Symmetry

Leasts
Surprising (bad): A Sense of Purpose – In Flames
Surprising (good): Motörizer – Motörhead
Technical: Torn – Evergrey
Shredding: This is Exile – Whitechapel
Controversial: Watershed – Opeth
Progressive: Motörizer – Motörhead
Complete: Torn – Evergrey

Miscellaneous
Album of the year: Traced in Air – Cyinc
Single of the year: “Vacuity” from The Way of All Flesh – Gojira
Riff of the year: at about 1:10 of “Servants to the Night” from We Are the Nightmare – Arsis
Guitar solo of the year: at about 1:23 of “Awaken the Dreamers” from Awaken the Dreamers – All Shall Perish
Interlude of the year: “Memories of a Glass Sanctuary” from Awaken the Dreamers – All Shall Perish
Fastest: Ultra Beatdown – DragonForce
Biggest wannabe: Shogun – Trivium

So, yeah, that’s what I have come up with. Let me know how you feel! Got some you think I should add or change? I’d love to hear the criticism.

The March – Unearth [Review]

The March is the fourth full-length release from Massachusetts metalcore band Unearth, their third release on Metal Blade records. The March is the first release with new drummer Derek Kerswill. The album was released October 14, 2008 official, but was leaked a few weeks prior to the release date.

Unearth The March

To be completely honest, I have been awaiting the drop if this album for a long time, and I had high hopes for it. VERY high hopes. Then I heard the first track of the album when it was added to the band’s myspace, and it was simply incredible. Now, I wish I could say the rest of the album is that ludicrous, but it’s not. Nor could it ever be. It’s simply that good. The rest of the album’s pretty good, too.

I’ll say this, it is their most metal release to date. They’ve moved closer yet to the metal scene with their latest release, only furthering the progress from III: In the Eyes of Fire (although, nothing is as metal as “Sanctity of Brothers” on this album). The biggest aid to this venture is what the new drummer adds. Overall, the sound of the drums, and the style of the rhythms, is more metal than hardcore. I think it suits the band, as Buz McGrath can write some pretty fantastic metal riffs (aforementioned “Sanctity of Brothers” is a good example).

As far as production goes, this album is your standard well done album. Nothing really sticks out as bad or good, and it serves it’s purpose. I did notice, however, that the bass is pretty much buried in most of the tracks, which I am personally indifferent about. I can’t say for sure how good the bass lines are on the album, but I will assume for now that is the reason that they are not too prominent in most places on the album.

Arguably the strongest attribute of this album is the songwriting and album composition. There is a lot of style in the construction of this album, and works well as a unit. The songs all run together seamlessly, but are clearly separate songs. The nature of the beast is the abrupt beginning and ending of almost every song, which is usually a no-no, but somehow these guys found a way to make the album move alright even when doing so. I feel that this could be attributed mostly to the abrupt nature of the music itself, even without all the breakdowns that Unearth used to feature on their albums (there are still a bunch, though).

The final thing I want to comment on are the guitar solos and harmonies. Though most people won’t pick up on this, the sweeps that start the album off are harmonized. That means? Yeah, you guessed it, two separate guitar parts. Then there’s the chugging behind it. Doesn’t that just blow your mind? The solos throughout this album really are fantastic, and tasteful at that. Contrary to popular practices, they’re not only tapping and sweeps at the fastest speeds the guitarist can play (don’t worry, though, Buz still melts some faces with some blisteringly fast shredding).

All in all, this album is a great listen, even though it falls off significantly after the first track. The guys from Unearth really brought everything to the table this time around, and now we get to enjoy the sonic feast they have prepared.

Track picks: “My Will Be Done”, “Letting Go” and “Cutsman”

Overall Score: 8 out of 10 devil horns

All Shall Perish – Awaken The Dreamers [Review]

Awaken The Dreamers is the third studio release from All Shall Perish, a Deathcore band on Nuclear Blast records, hailing from Oakland, CA. The album’s release date was September 16, 2008.

All Shall Perish Awaken The Dreams

I didn’t really know what to expect coming into this album. The two previous All Shall Perish albums, Hate.Malice.Revenge and The Price of Existence, were straight up deathcore albums. I went to their myspace to check out the new tracks a while ago, and these were not ordinary deathcore tracks. They felt like a mix between All Shall Perish, Necrophagist, and Between The Buried and Me. There were some crazy riffs, a few crazy bass and guitar fills, and a whole bunch of other stuff that did not play a large part in their previous efforts. Upon listening to the whole album, only then did I realize that All Shall Perish really are trying to redefine their sound an image, and break down some walls – with force.

The first track on the album is a prefect example of what I am referring to. “When Life Meant More…” is backed to the brim and overflowing with new intensity that sounds very similar to that of Necrophagist or Between the Buried and Me. The technical shredding happens while the heavy parts lie underneath, and the song does not lose touch with what it’s supposed to be – brutal. It’s still got all the staggering rhythms and growling vocals, with little extra kick.

From there, the song becomes increasingly varied, some ranging more towards the old All Shall Perish, and some that stray away from the mold even further. The next song on the album, “Black Gold Reign” moves from the BTBAM and Necrophagist sort of sound to a more As I Lay Dying and In Flames sound. At about 1:50 in, there is even a power metal wail, which REALLY caught me off guard, but seemed very necessary. There is even an airy interlude for a few seconds, which would have never happened on other All Shall Perish albums.

But, enough comparison. This album really delivers in it’s own way. As much as certain parts of the album sound like someone else, it’s never enough to really give it much thought. Combing a huge amount of styles, they bring it all together in a neat little package. Quite little, at that: the album is only 36 minutes long.

The album does not pass as though it is only 36 minutes long, however. There are so many different things that happen throughout the album that it feels like it should exceed 50 minutes. The songs fit so perfectly together, and seem very lengthy at times toward the end of the album when the more airy drawn-out sections become more prevalent, and Story/Orem get into solo mode. All in all, this album is filled with very tastefully technical musicianship, something that really is under-appreciated in many cases. The sweeps, the weeping solos, the shredding, the chugging, it’s all used tastefully in almost all cases. On the opening track, there is a very significant amount of shredding, but is is lower in volume than the rhythm guitar, which is almost unheard of.

The vocals are also very well done on this album. They’re a good as ever and about the same as always; a couple instances where Hermida switches it up a bit when he adds in the power wail (and sometimes goes other directions with it) adds a small amount more dynamic than before. Also, Hermida’s enunciation is completely flawless. There are too many instances where a vocalist will forego enunciation for a lower or faster growl, but Hermida is completely uncompromising. The same goes for the bass and the drums – nothing new or overly exciting, aside from the fact that the production quality has been improved on these for this album (this is not to say they are not impressing, they just haven’t changed from the last two All Shall Perish Albums).

I thought long and hard about what I wanted to give this album for a score, and I really still rest undecided about it. Part of me wants to give this album a 9.5/10, but something seems wrong about that, but I can’t quite put my finger on it.

Track picks: “When Life Meant More” and “Awaken The Dreamers”

Overall score: 9.5/10 devil horns
Since I can’t think of any good reason not to give it this score other than the length of the album, I’ll go with my gut feeling. I strongly considered a ten, but with it’s “Colors” by BTBAM nature, it simply does not live up to that, which is a ten in my book.