Tag Archives: bullet for my valentine

The resurgence of thrash

For quite some time now, true thrash metal has been almost non-existent. In parts of the country, in the underground scenes, and even in the mainstream, more bands are bringing it back. From the big Thrash bands back in the day (Sepultura, Metallica, Anthrax, Megadeth, Slayer, Exodus, Overkill, Kreator, etc.), few are still active AND still making thrash metal. While thinking about thrash metal without the legends who made the genre what it is makes metalheads sad, there is still a lot to look forward to.

thrash metal bands

If you look around on MySpace music through the “Thrash” genre tag you will find many things, most of which are not thrash. Some things that aren’t even metal. If you look deep enough, there is some good old thrash metal to be found. Most of these bands were either around in the 80’s, or are made up of teenagers who look and act like they were teens in the 80’s. Fatal, Ravage, Evil Army, and Razormaze are just a few of the up-and-coming young thrash bands out there. It’s not just the new guys, either. Slayer is still going strong, Metallica’s Death Magnetic was clearly turning more toward their old school sound, and Kreator just started a summer tour with Exodus – all well known bands in the thrash scene from the 80’s.

Given all the changes going on in metal, perhaps the resurgence of traditional thrash is the largest. Instead of bands like Shadows Fall, Chimaira, and Unearth adding the “trash” tag onto their music, real thrash bands are taking it back. A lot of more mainstream bands have been trying to bring the thrash sound to their band, like Bullet for my Valentine, Machine Head, and Trivium. Tough to say where it goes from here, but it seems as though thrash will soon be back again, and in a big way.

(disclaimer: I did not make the image above, nor am I taking credit for it – here is where I found it)

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The Heaviest Matter of the Universe Awards 2008

So, I thought it might be cool if I came up with a bunch of superlatives for metal albums in ’08 to showcase more than just my top ten. So, for those who don’t know what a superlative is, you most likely had nothing to do with a high school yearbook. They’re like awards that you give to people in your class, like “class clown” or “best smile”, etc. These will be music/band related ones. I hope you enjoy!

Bests:
Vocals: Iconoclast – Heaven Shall Burn
Drumming: Planetary Duality – The Faceless
Shredding: Awaken the Dreamers – All Shall Perish
Newcomer: Relentless – Brother Von Doom
Production: Awaken the Dreamers – All Shall Perish
Lyrics: The Way of All Flesh – Gojira
Comeback: Traced in Air – Cynic
Style Change: Scream Aim Fire – Bullet for my Valentine
Name (album): Lost in the Sound of Separation – Underoath
Name (band): This is Exile – Whitechapel
Album Art: Twilight of the Thunder God – Amon Amarth
Album opener: “My Will Be Done” from The March – Unearth

Worsts
Production: Death Magnetic – Metallica
Style change: Midheaven – The Human Abstract
Lyrics: Scream Aim Fire – Bullet for my Valentine
Name (album): Love and Other Disasters – Sonic Syndicate
Name (band): Scream Aim Fire – Bullet for my Valentine
Album Art: The Incurable Tragedy – Into Eternity

Mosts
Overachieving (bad): Midheaven – The Human Abstract
Overachieving (good): We Are The Nightmare – Arsis
Controversial: All Hope is Gone – Slipknot
Brutal: This is Exile – Whitechapel
Shredding: Zero Order Phase – Jeff Loomis
Overrated: The Incurable Tragedy – Into Eternity
Disappointing: Overcome – All That Remains
Erratic: We Are The Nightmare – Arsis
Technical: obZen – Meshuggah
Surprising (bad): Overcome – All That Remains
Surprising (good): Dreamer – Haste the Day
Progressive: Traced in Air – Cyinc
Complete: Holographic Universe – Scar Symmetry

Leasts
Surprising (bad): A Sense of Purpose – In Flames
Surprising (good): Motörizer – Motörhead
Technical: Torn – Evergrey
Shredding: This is Exile – Whitechapel
Controversial: Watershed – Opeth
Progressive: Motörizer – Motörhead
Complete: Torn – Evergrey

Miscellaneous
Album of the year: Traced in Air – Cyinc
Single of the year: “Vacuity” from The Way of All Flesh – Gojira
Riff of the year: at about 1:10 of “Servants to the Night” from We Are the Nightmare – Arsis
Guitar solo of the year: at about 1:23 of “Awaken the Dreamers” from Awaken the Dreamers – All Shall Perish
Interlude of the year: “Memories of a Glass Sanctuary” from Awaken the Dreamers – All Shall Perish
Fastest: Ultra Beatdown – DragonForce
Biggest wannabe: Shogun – Trivium

So, yeah, that’s what I have come up with. Let me know how you feel! Got some you think I should add or change? I’d love to hear the criticism.

All That Remains – Overcome [Review]

Overcome is the fourth full-length studio release from Springfield’s (MA) own All That Remains, one of the heavy hitters on Prosthetic Records’ solid lineup. Overcome‘s release date was officially September 16, 2008. The album’s first single will be “Chiron” and will be one of the downloadble songs for Rock Band, along with “Two Weeks”.

All That Remains Overcome

First off, let’s start with what this album did right. They capitalized on one of the few shortcomings of The Fall of Ideals, being that the new album is consistent, and does not have any overly strong or weak points. Overcome also has some really good songwriting, and makes use of some really great melodies. My favorite examples of this is the clean vocal melody in the song “Two Weeks” [track 2] or the guitar parts in “Before the Damned” [track 1] when there are no vocals (pre-verse, about 22 seconds in).

That about covers the good things about this album. Now to begin the bash-fest that will be this review from here on out.

The first thing I want to address is the vocals. The melodic vocals sound AWFUL. I really want to know what the hell happened to Philip Labonte’s voice, or why the decision was made to change the way they were. The screaming/growling vocals are very sub-par throughout the album, but are at times just as fantastic as those from The Fall of Ideals. In some instances the screaming/growling sound almost like clones from previous albums (“Before The Damned” could easily have been from The Fall of Ideals). Most cases of the more intense vocals are simply yelling, though, similar to the new Bullet For My Valentine approach. It worked for them, but certainly doesn’t fit for All That Remains.

The next issue is that the intensity is turned way down on this album. It’s still heavy and aggressive. but lacks the “oomph” that they used to have, and none of the songs hit that hard. Obviously the biggest example of something missing from Overcome are vocals like the opening few seconds of “This Calling” [Track 1 from The Fall of Ideals]. There are no longer visceral, blood-curdling screams. The guitars are no longer as intense, either. They took off a bit of the crunchiness from the guitar sound, although the style of the more rhythmic picking is still as solid (although used less frequently).

All in all, the album shows some potential, but feels overly polished and refined (well done, Jason Suecof). All That Remains have lost their edge it seems. With it’s overly consistent mediocrity, I found it hard to get into this as an album. Granted, there were a couple songs that caught my attention, those songs were addressed in the only paragraph about the good. A pleasant and un-engaging album, because of this there was not much to say about it.

Track picks: “Before the Damned” and “Chiron” (the only tracks that had balls on the album, and the songs that still give me a glimpse of hope that ATR still have it)

Overall score: 5/10 devil horns