Tag Archives: ultra beatdown

The Heaviest Matter of the Universe Awards 2008

So, I thought it might be cool if I came up with a bunch of superlatives for metal albums in ’08 to showcase more than just my top ten. So, for those who don’t know what a superlative is, you most likely had nothing to do with a high school yearbook. They’re like awards that you give to people in your class, like “class clown” or “best smile”, etc. These will be music/band related ones. I hope you enjoy!

Bests:
Vocals: Iconoclast – Heaven Shall Burn
Drumming: Planetary Duality – The Faceless
Shredding: Awaken the Dreamers – All Shall Perish
Newcomer: Relentless – Brother Von Doom
Production: Awaken the Dreamers – All Shall Perish
Lyrics: The Way of All Flesh – Gojira
Comeback: Traced in Air – Cynic
Style Change: Scream Aim Fire – Bullet for my Valentine
Name (album): Lost in the Sound of Separation – Underoath
Name (band): This is Exile – Whitechapel
Album Art: Twilight of the Thunder God – Amon Amarth
Album opener: “My Will Be Done” from The March – Unearth

Worsts
Production: Death Magnetic – Metallica
Style change: Midheaven – The Human Abstract
Lyrics: Scream Aim Fire – Bullet for my Valentine
Name (album): Love and Other Disasters – Sonic Syndicate
Name (band): Scream Aim Fire – Bullet for my Valentine
Album Art: The Incurable Tragedy – Into Eternity

Mosts
Overachieving (bad): Midheaven – The Human Abstract
Overachieving (good): We Are The Nightmare – Arsis
Controversial: All Hope is Gone – Slipknot
Brutal: This is Exile – Whitechapel
Shredding: Zero Order Phase – Jeff Loomis
Overrated: The Incurable Tragedy – Into Eternity
Disappointing: Overcome – All That Remains
Erratic: We Are The Nightmare – Arsis
Technical: obZen – Meshuggah
Surprising (bad): Overcome – All That Remains
Surprising (good): Dreamer – Haste the Day
Progressive: Traced in Air – Cyinc
Complete: Holographic Universe – Scar Symmetry

Leasts
Surprising (bad): A Sense of Purpose – In Flames
Surprising (good): Motörizer – Motörhead
Technical: Torn – Evergrey
Shredding: This is Exile – Whitechapel
Controversial: Watershed – Opeth
Progressive: Motörizer – Motörhead
Complete: Torn – Evergrey

Miscellaneous
Album of the year: Traced in Air – Cyinc
Single of the year: “Vacuity” from The Way of All Flesh – Gojira
Riff of the year: at about 1:10 of “Servants to the Night” from We Are the Nightmare – Arsis
Guitar solo of the year: at about 1:23 of “Awaken the Dreamers” from Awaken the Dreamers – All Shall Perish
Interlude of the year: “Memories of a Glass Sanctuary” from Awaken the Dreamers – All Shall Perish
Fastest: Ultra Beatdown – DragonForce
Biggest wannabe: Shogun – Trivium

So, yeah, that’s what I have come up with. Let me know how you feel! Got some you think I should add or change? I’d love to hear the criticism.

Advertisements

DragonForce – Ultra Beatdown [Review]

The infamous power metal sextet, DragonForce are back with their fourth studio album Ultra Beatdown. Released in Japan on August 20, 2008 and on August 26, 2008 globally.

Dragonforce Ultra Beatdown

First off, I want to say, Ultra Beatdown sounds an awfully like the three DragonForce albums before it. Hear me out, though. Regardless, there’s still a lot to say about this album.

While managing to keep their signature sound, the guys have found their way back to the glory days of their first album [Valley of the Damned]; one that was not an obvious attempt to showcase their musical prowess (well, not AS obvious – it’s still pretty obvious). I will say this, though. They actually seem to care more about the music as a whole than they do about the train of though ‘Man, that solo wasn’t awesome enough, let’s scrap this track’ or something similar. For Inhuman Rampage a lot of things sounded forced, and as though they traded some of the musicality of the album for faster, bigger, and more extreme solos (something I do not agree with). Whether or not this is true is unknown to me, but I am glad that that sound does not come through on Ultra Beatdown.

Also, I am glad they chose the title they did for this album. Most people scoff at it, but that’s fine. That’s what it’s about. DragonForce really is just a parody of power metal bands from back in the day – they sing of epic conquests, wail unconditionally, and have more blistering guitar work than you can shake a stick it. Not to mention the outrageous tempos that they always play at. If you disagree with the fact that they don’t take themselves seriously, just go see them live. It’s a great show, and you can tell that it’s all a big joke for them (a routine they’re quite good at by now). I’m not saying this to subtract from their legitimacy, but only to point out their motives. That is the reason I can enjoy DragonForce.

All in all, I really didn’t hear anything too special about the album, and it’s “typical DragonForce” – big, fast, ludicrous. There really is nothing to say about this album that hasn’t already been said about DragonForce already. That being said, it is overall the best album they have released yet. I wanted to go on some sort of epic conquest upon the end of my first listen through, much in the way you would after listening to a Rhapsody (now Rhapsody of Fire) album.

Track picks: “Reasons to Live” and “The Last Journey Home” [consequently, the two tracks that break the DragonForce mold of old the most]

Overall score: 8.5/10 devil horns