Tag Archives: tennessee

The Tony Danza Tapdance Extravaganza – Danza III: A Series of Unfortunate Events [review]

Posted on July 9, 2010 | 3 comments

Danza III: A Series of Unfortunate Events is the third full-length release from Tennessee-based The Tony Danza Tapdance Extravaganza, and was released on Black Market Activities on July 6, 2010.
TDTDE Danza III

It’s hard to imagine a band that goes by the name of The Tony Danza Tapdance Extravaganza would make ordinary music. Luckily, TDTDE push the envelope. Straight out of the heart of Tennessee, the band has created a unique signature sound using grindcore grooves, deathcore breakdowns, face grinding guitar riffs and hokey song topics—all of which are in full force on Danza III: A Series of Unfortunate Events.

If you’ve heard any Danza songs from their last album, Danza II: Electric Boogaloo, you will experience a similarly visceral assault with Danza III. In addition to the chaotic writing on the album, the production and soundscape really brings the beast to life. Every single bass drum hit done by Mike Bradley feels like a kick to the chest, every snare shot sounds like a rifle, it’s tough to keep your heart rate low. Combine that with the shrill, angular guitar parts played by Josh Travis and the raucous bellows of Jessie Freeland, and you’ve captured the essence of rage and adrenaline in audio form.

The lyrics on the album are based on unfortunate events (whether political, social, personal or otherwise) and the musical mood of the album appropriately corresponds. TDTDE do not plead their case with Danza III, there is no pussy-footing about. Instead, they impose their will with such vehemence and force even the most iron-willed of people have no choice but to succumb. From song to song, the listener experiences an aural bludgeoning until finally, when the album has come to a close, the listener feels like they have truly been victim of some sort of unfortunate event. The Tony Danza Tapdance Extravaganza have truly transcended any box they could have been placed in, and created what will surely be one of the most chaotic and interesting listening experiences of 2010.

Track picks: “12.21.12” and “A Trail of Tears” (though truthfully, every track on this album is single-worthy)

Overall score: 10 out of 10 devil horns

If you’re looking to be a responsible music consumer and purchase the album, check it out at the Black Market Activities webstore or on iTunes.

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Whitechapel – A New Era of Corruption [Review]

Posted on June 19, 2010 | 1 comment

A New Era of Correuption is the latest release from Tennessean deathcore troop Whitechapel that was released on Metal Blade June 8, 2010.

Whitechapel A New Era of Corruption

I would be lying if I told you that this album featured anything that is completely new for Whitechapel. That being said, this album is still drastically different from the band’s two previous efforts. From the very beginning of the album, the feel and textures of the sound are much different than the all-too-familiar sound of The Somatic Defilement and This Is Exile. A New Era of Corruption finally sounds like the band is making use of the fact they have three guitarists, rather than having three people playing the same riff simultaneously in nearly every song. There are a lot of solid guitar harmonies throughout the album, something that wasn’t used much outside of breakdowns on This Is Exile.

The next huge step Whitechapel took for this album was switching up some of the songwriting and breakdowns they used. While not overly boring, This Is Exile didn’t have a lot of variation amongst songs, but A New Era of Corruption seems pretty fresh from song to song. In addition to the songs being a bit more varied, there are also a multitude of texture and mood changes – something else not found in previous efforts. No song demonstrates this better than “Reprogrammed to Hate,” a song that isn’t simply slams and guttural vocals.

I should make it very clear that I’m not stating that A New Era of Corruption is vastly different than This Is Exile, because it’s not. There are a few tweaks made to the Whitechapel formula, such as multiple guest vocals from The Acacia Strain’s Vincent Bennett, but all of the things found on This Is Exile and The Somatic Defilement are still ever-present.

The only real complaint I have about this album is that it seems to be separated between a couple really killer songs and some other filler material. The album can be somewhat boring on the songs that seem to be the more obvious examples in which the three Whitechapel guitarists get into minor second “chug chug” mode the most. The first few tracks on the album are easily the most boring, but the album comes alive at track four with “Reprogrammed to Hate” when we finally see what these guys can do.

If you liked Whitechapel before; or just want some heavy-as-hell beatdowns with some interesting guitar harmonies, tempo changes, and solos here and there; this might be an album for you. An album that showed glimpses of maturity and progression in the band’s sound, but one that shows they’ve still got a bit more refining and growing as a band to go.

Track Picks:

“End of Flesh” and “A Prayer of Mockery”

Score:

6/10 devil horns

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