Tag Archives: relapse

Derelict Looking To Perpetuate Band Success

If you’ve been a longtime reader here at The Heaviest Matter of the Universe, you may recall a review I did for the band Derelict‘s Unspoken Words back in early 2009. Otherwise, let this serve as your first introduction to the band. It’s the first single they’ve released since Unspoken Words came out, and it’s called “Perpetuation.” Here, have a listen:

This song is typical Derelict riff-your-face-off fashion, and in this case, typical is a great thing. The song is going to be featured on a three song “demo” (really more of an EP) soon as the band is putting the finishing touches on their next full-length album. If you like what you heard above, go pickup a copy of Unspoken Words online through Year of the Sun Records or Relapse Records, or snag it from iTunes. Make sure you keep on the lookout for the upcoming EP!

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Mastodon – Crack the Skye [Review]

Crack the Skye is the fifth full-length release from Georgian Heavy/Progressive metallers Mastodon. This being their fourth release with Relapse Records. Crack the Skye was released globally on March 24.

Mastodon crack the skye album cover

It’s hard to find words that haven’t already been said about a Mastodon album this far, but Crack the Skye has presented listeners with an even more broad and lofty soundscape to enjoy and talk about that simply commands something new to be said. Having given many listens to each of Mastodon’s previous albums, Crack the Skye is not very surprising in terms of the direction, or the sound really, but the presentation and quality are simply beyond measure. Even the most simple and minute sounds on this album act like monoliths of sound.

Seemingly borrowing a bits of post-rock and post-metal styles, there is a lot of atmospheric textures on this album, “The Czar” showing the more prominent examples of this. They maintain this style without forgoing the Mastodon sound so familiar from Blood Mountain and Leviathan. The more coarse vocal approach has taken a bit of a back seat this time however. Mastodon also have many more angular, “twangy” guitar riffs, like those found in excess on Blood Mountain.

As always, Mastodon are technically brilliant with their instruments, most impressively – Brann Dailor on the skins. Using a veritable cornucopia of rhythms, time signatures, fills, etc. he really shows what it means to be a great metal (and even jazz) drummer. If there was ever a doubt in someone’s mind of the skill level of the members of Mastodon, this album should quite adequately quell the negative comments.

There is no doubt in my mind that this album (and band) will go down to be one of the most important metal acts in this decade. With remarkably well written, played, produced, etc. music Mastodon are bringing back a much needed prestige to the American metal scene. Where Americans were frowned upon for breeding the cancer that was Nu Metal, we have started to now be looked upon in a different light, and this album will only solidify the fact that Americans can indeed make great and pure metal.

Track picks: “The Last Baron” and “Oblivion”

Overall Score: 10/10 devil horns