Sever The Wicked Hand is the ninth album from New Orleans sludge metal legends Crowbar and was released on E1 Music February 14, 2011, the band’s first release in six years.
In the history of metal, there are only a few bands who can really be attributed with being pioneers and landmarks in their respective styles and Crowbar are just that. In the early ’90s Kirk Windtstein and company cemented themselves as the premier sludge metal band of the time. Even at their worst, they’re still as good as any band to ever make sludge metal (after all, the did help make the mold).
Sever The Wicked Hand is exactly in line with everything that you’ve come to know and love about Crowbar, except possibly a bit darker this time. Kirk’s concentrated and powerful vocal delivery over constant fuzzed-out guitar riffs. The flavor of this album is very slightly different than 2005’s Lifeblood of the Downtrodden; a slightly different sound is to be expected after six years and, aside from Kirk, a totally new lineup.
There’s not a lot of speed in this record, it’s as slow as ever. Many songs employ Kirk’s more sorrowful and semi-clean vocals with more slick (but still fuzzed-out) guitar licks. Don’t worry, for all of you that like the thick and thrashy chugged out riffs, they’re still there. In general, however, Sever The Wicked Hand is still an incredibly heavy album, just not in a modern headbanger sort of way. It’s a slow, marching, and deliberate heavy at most times that feels more like a classic Black Sabbath sort of heavy.
The most interesting part about this album, though, has nothing to do with the music or performance itself, but rather the production and mixing. It sounds totally unlike a vast majority of metal records nowadays, outside of maybe some of the more obscure black metal bands. It’s an incredibly heavy sound without having a ton of sound packed into the lower register, most of the meat of these tracks are on the mids and so you really get to hear the full effect of the fuzz. It almost sounds rough around the edges, but deliberately so. There aren’t any fancy bass drops to add extra emphasis on chord changes, it’s all natural kick.
As a whole, as I mentioned before, Sever The Wicked Hand is everything we’ve come to know and love about Crowbar, perhaps this time with a little extra sorrow embedded in its sound and lyrics.
Track picks: “Liquid Sky And Cold Black Breath” and “The Cemetery Angels”
Overall score: 9/10 Devil Horns
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