Evisceration Plague – Cannibal Corpse [review]

Evisceration Plague is the eleventh studio album from Buffalo (New York) natives Cannibal Corpse. The album release date is February 3, 2009 on Metal Blade records.

Cannibal Corpse Evisceration Plague

Having been a fan of Cannibal Corpse for a long time now, I was EXTREMELY satisfied with their last release, Kill. Alex Webster has been quoted as saying “In Cannibal Corpse, our goal has always been to try and make each new album we record our heaviest. That goal was a bit more challenging this time since we were extremely satisfied with our last album Kill, but we knew that by working with producer Erik Rutan at Mana Recording Studios again, we would be able to start at that same level of heaviness and take it even further. Now that we can hear the finished product, I would say we’ve been able to achieve this goal, and I think our fans will agree. ‘Evisceration Plague’ has the best guitar sound we’ve ever recorded, and the entire band has never played with more precision and power. We can’t wait until you all get a chance to hear the album in early 2009, because we think you’ll be as happy with it as we are.”[1]

Now, I can’t say that he’s entirely right, but this album is definitely close to on par with Kill. It has the same crushing riffs that Cannibal Corpse always employ, and they have simply more finely tuned the sound for this album.

Straight from the first crushing track of the album, “Priests of Sodom”, this album is overpowering. It’s an all-out aural assault, really. This is not to say, however, that it is difficult to listen to. This album is simply made to sound huge. More big and loud than you can imagine. 10,000 marshall stacks loud. The greatest part about the production is the mere fact that no clipping occurs, all of the instruments are balanced, and it is not tiring to pick out each band member in the mix – until you get to the mini guitar solos. The small guitar solos featured on the album are somewhat buried. It appears that burying guitar solos a slight amount in the mix is becoming slightly more prevalent in the heavier, more brutal, styles of death metal (this includes, of course: Deathcore, Brutal Death, etc.). In terms of the “guitar sound” Alex mentioned, it’s true. The guitar sound on the album is fantastic. The rhythm guitar is absolutely crushing, and the lead guitar is crunchy, and sounds great in the shredding moments of the album.

In both Evisceration Plague and Kill the lyrical content has been a bit different than the lyrical content that Cannibal Corpse once had. It is easiest to see this by simply looking at the titles of their songs and albums. In their last two efforts, Cannibal Corpse have used less “Gore Obsessed” (sorry, could not help it) themes are less graphic. Still as brutal, but a little more serious.

Overall, Evisceration Plague is a good album – not great. It is a typically good release from Cannibal Corpse, almost their best to date. There was nothing overly awe-inspiring about the album, but is one hell of a listen.

Track picks: “Skewered from Ear to Eye”, “Unnatural”, and “Priests of Sodom” (it was hard to choose only three)

Overall Score: 8/10 Devil Horns

[1] CANNIBAL CORPSE: New Album Title, Track Listing Revealed – Nov. 3, 2008

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